| "CCLI continues to be one of those welcome schemes that is a genuine service to all parties it connects. It provides a simple way for churches and schools to meet their legal obligations, for the copyright owners and publishers to collect, and the revenue it produces stimulates the production of further resources for worshipping communities, which belong to the scheme." |
Graham Kendrick Songwriter, Recording Artist |
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What's the Cost?
The annual fee for a Church Copyright Licence is determined by the size of your church. Church size is based on how many people attend your church. If you have multiple services, use your combined attendance. The total fee includes Licence, postage and handling.
Royalties from Licence fees are distributed to the song composers and publishers fairly, based upon a special song survey that churches fill out every year.
| Category |
Church Size |
Total Fee |
| A |
1-49 |
$102.00 |
| B |
50-99 |
$163.00 |
| C |
100-149 |
$250.00 |
| D |
150-199 |
$328.00 |
| E |
200-499 |
$455.00 |
| F |
500-999 |
$592.00 |
| G |
1,000-1,499 |
$750.00 |
| H |
1,500-2,999 |
$952.00 |
| I |
3,000-4,999 |
$1,180.00 |
| J |
5,000-9,999 |
$1,470.00 |
| K |
10,000-19,999 |
$1,800.00 |
| L |
20,000-49,999 |
$2,245.00 |
| M |
50,000-99,999 |
$2,848.00 |
| N |
100,000-199,999 |
$3,788.00 |
| O |
200,000-UP |
$5,260.00 |
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- "Church size" is based on how many people attend your church. If you have multiple services it is the combined total across those services.
- If your church has multiple campuses or locations please contact us for licensing information.
- The total fee includes Licence, service fees and GST.
- Amounts stated in Australian dollars.
Apply for a Church Copyright Licence
Do you have questions about the Church Copyright Licence? Please Contact Us.
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 |
 |
| 1. |
How Great Is Our God
Chris Tomlin, Jesse Reeves, Ed Cash |
| 2. |
Mighty To Save
Ben Fielding, Reuben Morgan |
| 3. |
In Christ Alone
Stuart Townend, Keith Getty |
| 4. |
Here I Am To Worship
Tim Hughes |
| 5. |
Blessed Be Your Name
Beth Redman, Matt Redman |
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